Chinese mythology

The Story of Hou Yi and the Elixir of Immortality

At a Glance

  • Central figures: Hou Yi, the archer who shot down nine of the ten suns, and his wife Chang’e, who later became the Goddess of the Moon.
  • Setting: Ancient China, in a time when the Emperor of Heaven still called upon mortal heroes; the story belongs to Chinese mythological tradition.
  • The turn: When Hou Yi’s greedy apprentice Feng Meng threatens to steal the Elixir of Immortality, Chang’e drinks it herself to keep it from him.
  • The outcome: Chang’e rises into the sky and comes to rest on the moon, separated from Hou Yi forever; she lives there in immortality with only the Jade Rabbit as companion.
  • The legacy: Hou Yi honors Chang’e by setting out her favorite foods as offerings during the Mid-Autumn Festival, when the moon is fullest and families gather to eat mooncakes and look up at the sky.

The world once had ten suns. They were supposed to take turns, each crossing the sky in its proper season, but one day all ten rose together. Rivers dried. Crops burned in the fields. People starved. The Emperor of Heaven, seeing no other recourse, summoned the greatest archer alive - a man named Hou Yi - and asked him to restore order. Hou Yi climbed to the highest peak he could find, drew back his bow, and shot nine suns from the sky. The tenth he left. It still rises each morning.

For that, Hou Yi became a hero across the land. Mortals called him savior. Gods acknowledged his name. But he was still mortal, and he knew it, and in time that knowledge settled over everything he had done.

The Gift from the Queen Mother of the West

Hou Yi’s fame was real, but so was his fear of dying. He had saved humanity from burning, yet he could not save himself from aging. He set out to find the Elixir of Immortality, traveling until he reached the mountain palace of the Queen Mother of the West - the goddess who held that power. She received him. She had heard what he had done for the world, and she was moved by it. She gave him a single vial.

The elixir was enough for one person only, and drinking it would lift whoever swallowed it beyond ordinary life entirely. Hou Yi carried it home to his wife Chang’e. He wanted to share eternity with her, but the vial allowed no such arrangement. One would be immortal. The other would not. They kept the elixir hidden in the rafters and said very little about it to anyone.

Feng Meng’s Plot

Hou Yi was a hero and a teacher. He took on apprentices. The best of them - the one who had studied longest, who had come closest to matching Hou Yi’s skill - was a man named Feng Meng. Feng Meng knew about the elixir. He had heard enough, paid attention enough, and he wanted it.

On a day when Hou Yi was away from home, Feng Meng came to the house. Chang’e was alone. He demanded the elixir. He was armed, and he was serious, and the vial was exactly where he believed it to be.

Chang’e looked at the situation plainly. She could not fight him, and she could not outrun him. If Feng Meng took the elixir, it was finished - no second chance, no reclaiming it. She crossed the room, took the vial from its hiding place, and drank it herself.

The Ascent

It worked immediately. She felt the weight leave her. Her feet lifted from the floor. She rose through the ceiling and into the open sky, still rising, past cloud and wind, until she reached the moon. There she stopped.

She did not plan to go there. The moon was simply where she landed, and it is where she has remained. She became its goddess. The Jade Rabbit lives there with her, and the palace is cool and quiet and very far from the earth. She looks down at the world she left. She is immortal. She will never age. She will also never again stand in the same room as Hou Yi.

Hou Yi’s Grief

When Hou Yi came home and understood what had happened, the shape of it took time to fully arrive. Chang’e had saved the elixir. She had made the only decision that kept it from Feng Meng. He knew that. He understood the logic from the outside. The understanding did not help.

Every night after that, he stood and looked at the moon. Not at the whole of it - at her, the figure visible in its surface. He set out her favorite foods as offerings. He left them where she would have sat. He went on living the way people go on living when they have no other option, but he watched the moon the way you watch something that will never come back.

The Full Moon and What Remains

The Mid-Autumn Festival carries all of this forward. On the fifteenth night of the eighth lunar month, when the moon hangs at its largest and brightest, families set out round mooncakes and sit together under the open sky. The roundness of the cakes echoes the moon’s fullness. The gathering echoes what Hou Yi started - the offerings he laid out alone, looking up, unwilling to stop.

Chang’e is still there. The Jade Rabbit is still there beside her. Below, for one night each year, people look up at the same moon Hou Yi watched, and the light that comes down from it has been traveling a long way.